Othello The Greatest Tragedy Essay Research Paper free essay sample

Othello, The Greatest Tragedy Essay, Research Paper A Shakespearian calamity is one that encompasses many different elements. Shakespeare presents all of these elements stunningly in Othello. For a calamity to happen there are five conditions. The supporter, Othello in this instance, must see a decease or a entire loss of ranking in society. The audience must besides be captured by the histrions and experience some kind of connexion to them. This is known as katharsis. In Shakespearian calamities the supporter ever has a character defect or a tragic defect. This tragic defect along with pride will do the supporter to do an mistake in opinion taking him to his ruin and eventual decease. These two elements are called hubris and tragic flaw. The integrities of clip, infinite, and action must besides be followed. This means that the drama must take topographic point in a really short period of clip, occur in one general country, and follow one chief character throughout the drama. We will write a custom essay sample on Othello The Greatest Tragedy Essay Research Paper or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Shakespeare orates for us a tragic happening in the life of a adult male who one time had it wholly, throws it all off in a tantrum of covetous fury. The ruin of the cardinal character is the chief construct of the calamity. Without the chief character s ruin there is no ground for the reader to experience commiseration, hence, no calamity. The ruin of the supporter in Shakespearian calamities ever originates from their tragic defect. Othello s tragic defect is his green-eyed monster, which Iago invariably reminds him approximately. This is first brought approximately in act III, scene 3 when Iago asks Othello if he has Seen a hankie spotted with strawberries did I today see Cassio pass over his face fungus with ( III, 3, 431-432/435-436 ) . At this point Othello is covetous at Cassio for holding won the bosom of Desdemona and earned the hankie. Upon hearing this Othello flies into a huffy tantrum by stating O, that the slave had forty 1000 lives! ( III, 3, 439 ) . By his jealousy Othello makes himself really prone to many onslaughts on him by Iago. Catharsis is the portion of the drama that moves the audience and efforts to set them in the histrion s places. Shakspere does this by assailing the issue of love. It is a really huffy and emotional topic. Anyone who has of all time fallen in love can associate to Othello and Desdemona. They are viewed as the perfect newly-weds who have each other as regards. Desdemona shows us this by protesting to the Duke and her male parent that she saw Othello s countenance in his head, And to his award and his valorous parts Did I my psyche and lucks consecrate ( I, 3, 247-249 ) . The love between her and Othello is one of great passion and interrupting barriers. They were many old ages apart, came from different races, and were different colourss of tegument, something that was unheard of in their clip. Obstacles such as these, even in our twenty-four hours, are really hard to get the better of. When reading or watching Othello being performed one can non assist but to experience enviousness f or the love they have. In this calamity, katharsis nowadayss something the audience can non avoid. Hubris and Hamartia are two constituents of a Shakespearian calamity that are really much intertwined because of their footing on pride. Hubris is when the supporter is consumed with pride and believes that destiny can be beaten. Evidence of Othello s pride is based on the idea, No 1 messes around with Othello! This becomes his eventual ruin. The reader remembers in act III, scene 3 when Iago had planted false grounds of Desdemona s infidelity ; Othello reacted in a really unagitated manner, largely in incredulity. In act IV, scene 1 when Iago brings more grounds of Desdemona s unfaithfulness Othello reacts in a really different and violent manner. Let her decompose, and perish, and be damned tonight ; for she shall non populate ( IV, 1, 183-184 ) . This statement stems from Othello s pride in being a adult male of high standing who will non be cheated on. Hamartia besides comes into drama where Othello believes that destiny can be beaten by killing Desdemona. Even if Othello had escaped decease here he would hold been removed of his high military position and thrown in gaol. Othello was genuinely a adult male consumed with pride and wrongly believed he he could withstand destiny and come out on top by killing what he loved most. Othello could be considered non to be a calamity because of its misdemeanor of the integrities of clip, infinite, and action. The integrities of clip, infinite, and action province that the narrative must take topographic point in one metropolis, occur in a short period of clip more than 24 hours, and must follow one cardinal character throughout the full drama. Othello does non happen in one metropolis through the full narrative. Othello went to war in Cyprus and spent most of his clip life in Venice. Although there is really small clip spent in Cyprus Othello, the narrative, does non work along the same lines as Hamlet. In Hamlet about the full narrative took topographic point between the palace walls. As for the integrity of action we see something rather different here. The drama we studied is titled Othello, hence, the reader assumes that Othello is the cardinal character. If the book were non named this, it would be rather possible that many readers would believe the rubric cou ld be Iago and non Othello. Although Iago is non the good cat he is in the drama merely every bit much or even more than Othello. At the beginning of the drama Iago is present and Othello is absent. This is how it is many scenes are in the drama. Although Othello is regarded as one of Shakespeare s best calamities, there is still beliing grounds against this. Many bookmans acclaim Othello as Shakespeare s most perfect calamity because it encompasses all of the elements of a calamity so wondrous. The love shared between Othello and Desdemona at the beginning of the drama is so much more dramatic than that of Claudius and Gertrude in Hamlet or Macbeth and Lady Macbeth in Macbeth. The guilt and incorrect felt by Othello after he realizes his mistakes in opinion is incomparable to the play in Shakespeare s other calamities. Any audience screening Othello for the first clip would be captured by the characters because of their relation to the audience. Any experient Shakespeare reader would hold no job giving Othello the rubric of most perfect calamity because it covers all of the elements of a calamity so wondrous. 341